Object # 01

Pastel 70×90 2004

Ratio omnis.
All reason.

The four figures symbolize the four cardinal points. All four have one thing in common: they are neither in front of nor to the side of the block.
In the middle two intertwined angels, rotated 180 degrees.

Illusion: the figures stand at the same time both on the side and in front of the block.

object # 02

Pastel 80×60 2005

Utrimque.
On both sides.

Illusion: a third man is hidden.

object # 03

Pastel 70×90 2005

Centrum.
Center.

Two figures are holding each other in an impossible way. When turned 180 degrees, the image of the two figures is exactly the same.

object # 04

Pastel 80×60 2005 stereogram

Conspicere.
To notice.

To let the head bow to the heart.

object # 05

Pastel 70×90 2005

Aequo animo.
With an even mind.

Not easily disconcerted.
Illusion: a third Shaolin monk is hidden.

object # 06

Pastel 80×60 2002

Discordia.
Discord.

Man is symbolically represented as two personalities, one of which represents the shadow side. The two open tombs represent the knowledge acquired from the first observations between good and evil, which is maintained to this day.

object # 07

Pastel 60×80 2005 stereogram

Enigma.
Riddle.

A mystery surrounding the origin and symmetrical structure of crystalline symmetry. The two geometric figures, which terminate like screw threads in the mass of this structure, represent the consciousness of the crystals that construct it.

The three blue shapes are stereoscopic.

object # 08

Pastel 60×80 2002

Considerare.
To consider.

Reflections on life and death in a total void. The chain serves as a bridge to enlightenment, which is depicted as raw crystal transforming into a refined, perfect, polished texture.

object # 09

Pastel 80×60 2002

Agnosticismus.
Agnosticism.

The belief that there is complete ignorance regarding transcendental questions, such as the existence of God, immortality, and the like.

Illusion: the pyramid in the middle can move both inward and outward by looking at it

object # 10

Pastel 60×80 2002

Arcanum Arcanorum.
Secret of secrets.

Universal sympathy within the universe that extends beyond logic. The interplay between creative (male) and loving (female) forces.

object # 11

Pastel 60×80 2005 stereogram

Delectum habere.
To have a choice.

The cross vaults represent making choices in life. The three stories symbolize three levels of consciousness: unconscious, semi-conscious, and conscious. In the semi-consciousness of the material, we see two figures depicted. The crucial intersection of our thoughts: word and deed. The figure on the left connects with consciousness—looking up—and its shadow with unconsciousness—jumping into the depths.

object # 12

Pastel 60×80 2002

Nostradamus.
16th century French astrologer and seer.

Communication from timelessness where the key lies to unraveling his quatrains.

object # 13

Pastel 60×80 2003

Ad unum omnes.
To the last, all without exception.

In the end, we are all the same on the inside.
The last step is a new leap into the 'unknown known'.

object # 14

Pastel 80×60 2003

Conjunctis viribus.
With united forces.

Affirmations in our self-image, which can lead from destruction to ecstasy.

object # 15

Pastel 110×90 2004

Liberum arbitrium.
Free will.

A realization of God-consciousness experiences the highest good: freedom in its totality — with the eagle as its symbol. The abolition of slavery will be the first victory.

object # 16

Pastel 80×60 2003 stereogram

In vitro.
In glass.

Cloning is an artificial method of copying, which produces a genetically identical reproduction of an organism.
Three separate heads and three cells. By looking inward or outward in this stereogram, we see a single cell with three identical heads.

object # 17

Pastel 80×60 2004

Cui bono.
For whose benefit?

The Westernization of tribes with their own culture and history. The woman in the background represents the founding principle. Through repetition of oppression, the first step toward justice.

object # 18

Pastel 60×80 2002

Temporarius.
Temporary.

Transience exists only in time. Memories do not.

object # 19

Pastel 60×80 2003 stereogram

Conventus.
Gathering.

Conversation is a reflection on self-image. Our self-image is formed through our downside, a process of negation.

The entire center plane of the painting is 3D.

object # 20

Pastel 60×80 2004

Mea culpa.
My fault.

Chained to an illusionary self-image, created by impressions from society in reality.
Illusion: the left leg appears to go forward.

object # 21

Pastel 60×90 2003

Filius.
Son.

Freedom is the only salvation.

object # 22

Pastel 60×80 2004

Illecebrae.
Temptation.

The forbidden fruit as dualism between Good and Evil.

object # 23

Pastel 60×80 2005

Cruciatus.
Crucifixion.

Faith in eternal life. The symmetrical lines function as a symbol for the infinite path.

Illusion: look into the center of the star and move your head back and forth. You'll see two circles rotating in opposite directions.

object # 24

Pastel 110×90 2005

Fidicen.
Player.

Living on the notes of music, the floor will dance.

object # 25 – SOLD

Pastel 40×60 2004

Astrum.
Star.

To understand the ending is to understand the beginning.
That is what I discovered with this painting.

A hidden star will become visible with stereoscopic vision.

SOLD

object # 26

Pastel 70×90 2005 stereogram

Discus.
Discus.

On the left the mythological figure Atlas, carrying the globe on his back, while the figure on the right is letting go of earthly matters, pictured as a discus thrower.

RESERVED

object # 27

Pastel 60×80 2005

Signa conferre.
To engage in battle.

In life different tactics are used to achieve the goal.
Two opponents trying to play for ball possession will eventually discover that only through peaceful control can the real goal be achieved: mores placidi.

object # 28

Pastel 80×60 2003

Matrix.
Matrix.

Initiation of a youth. Depicted in body, mind, and soul.
The memory in the temporal world, which is derived from rational thinking, will automatically be converted into memories at the point of non-rational perception at the intersections of memory elements.

object # 29

Pastel 60×80 2004

Nocturne.
Night piece.

A personality that becomes absorbed in the music and thereby identifies with the musical note.

object # 30

Pastel 80×60 2003

Ducere.
To lead.

Trapped in a system of governance.

object # 31

Pastel 80×60 2004 stereogram

Cogitare.
To think.

Two figures contemplating on the borderline and who are identical on both the front and back.

object # 32

Pastel 60×80 2005

Aequalitas.
Equality.

John F. Kennedy, Martin Luther King, Abraham Lincoln, Mahatma Gandhi and Nelson Mandela. Five important people intertwined in blocks.
Three pigeons are depicted, one of which is clearly visible. The other two are hidden.

object # 33

Pastel 60×80 2002

Illusio.
Illusion.

An optical illusion between seeing and putting things into perspective. The observer understands this and lets go by pushing their eye away.

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